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Drawing from all media of Western art including garden design, photography, and fine art, Makarius explores the rich and diverse iconography of ruins from da Vinci to Van Gogh, from Botticelli to Roy Lichtenstein.Ruins is a reminder of history at a time when few art motifs still have the power to demand attention for our immense collective past-and at a moment when a reminder is sorely needed\u003c\/p\u003e","brand":"Flammarion","offers":[{"title":"Default Title","offer_id":43108551622754,"sku":"9782080304698","price":1890.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/0881\/2386\/files\/ruins.jpg?v=1783783361"},{"product_id":"the-great-pyramids-of-giza","title":"The Great Pyramids of Giza","description":"\u003cp\u003eThe Great Pyramids of Giza--the Seventh Wonder of the World--are among the most mysterious and beautiful constructions of Man.\u003c\/p\u003e\u003cp\u003eSince the invention of photography in 1839, cameras have been set up in front of the three great pyramids, bringing their image to the masses in other countries. 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Sebastian Copeland's photographs have captured both the incredible beauty of the continent and the devastation that climate changes have wreaked on it. 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Not content merely to document archaeological sites and artifacts, Jodice has aimed to rediscover a sense of the Classical universe, presenting it in a vivid and original way.\u003c\/p\u003e\u003cp\u003eFrom Italy, France, Spain, Greece, Macedonia, Turkey, Tunisia, Syria, and Jordan, Jodice's luminous photographs evoke a vision of Mediterranean civilization that is a conflation of history and mythology. His dramatic yet ethereal images refuse both classical and contemporary boundaries in a fusion of the topographical and the intimate. Ruined temples, lost cities, heroic landscapes, gods and goddesses, vistas of Vesuvius and of the omnipresent sea transcend the constraints of their historical context in terms of both time and space.\u003c\/p\u003e\u003cp\u003eAt the same time, Mimmo Jodice's artful darkroom interventions give these images a renewed energy, one that is born of the present material world, but which seems sustained by loftier, more elusive mysteries. 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Aynı anda hem saf hem de tehlikeli olabilen bu dünya, çatışan kimliklerin dokuduğu alevli bir halıdır.\u003c\/p\u003e\u003cp\u003eThe Balkan Paradox\u003c\/p\u003e\u003cp\u003eEver since, I started photographing in Greece, in Turkey, and then a bit later in the other Balkan countries, it was not in order to describe reality. I never believed in the arrogance of the objective truth.\u003c\/p\u003e\u003cp\u003eI was carried away by the charm of observing the people of the Balkans, in a way that was heartfelt yet void of reason. My emotions were not always positive, in fact they often infuriated me in an unbearable way. I went back home for a few weeks without even wanting to talk about them. After a while, I missed them, and then I returned.\u003c\/p\u003e\u003cp\u003eIn the Balkans, more often than not, events are defined by emotions or by an idealization of the past and certainly not by Western-type reasoning. Life in this explosive area follows an unusual rhythm that brushes with the irrational. The passing from intimacy to hatred, from peace to war, from celebration to slaughter can occur in an untraceable moment. Here, the symbols of the present are set in a landscape of ruined buildings and toppled monuments. They speak of failed hopes and lacking faith. 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