{"product_id":"arkeoloji-ve-sanat-dergisi-sayi-182","title":"Arkeoloji ve Sanat Dergisi Sayı 182","description":"\u003ch5 class=\"gmail-p1\" style=\"margin: 0cm 0cm 0.0001pt; text-align: justify;\"\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eİçindekiler \u003c\/strong\u003e\u003c\/span\u003e:\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli class=\"gmail-p1\" style=\"text-align: justify;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eGülçin Günyol – Birgül Öğüt - \u003c\/span\u003eKarahantepe Yerleşimi Konut Yapılarında Bulunan Öğütme Taşlarının Fitolit Analizleri\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p2\" style=\"text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eAbdullah Hacar – H. Simge Egeci – Şerife Çakar –\u003c\/span\u003e\u003cspan class=\"gmaildefault\"\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Tahoma',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eNilay Çetin Demir – Michael Johnson – Yakup Ünlüler – Lorenzo Castellano – Ahmet Emin Karkınlı – Öznur Eryaz - \u003c\/span\u003eOrta Torosların Kuzey Sınırında Yeni Bir Kazı Projesi: Bekçitepe Kazılarının İlk Dört Sezonu (2022-2025)\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p1\" style=\"text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eAyşe Çalık Ross - \u003c\/span\u003eDağlık Kilikya’da Yeni Hitit Bulguları: Ulupınar \/ Kesik Söğüt ve Konca Mevkii (Gülnar \/ Mersin) Hakkında Bir Ön Rapor\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p1\" style=\"text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eÖmer Can Yıldırım - \u003c\/span\u003eTroya’dan Mermer Bir Masa Desteği\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p3\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eAlper Yılmaz - Parion Roma Hamamı Yiv-Akanthus Başlıkları Tipoloji, Kronoloji ve Mimari Bağlam\u003c\/span\u003e\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eİlker Işık - \u003c\/span\u003eSavatra Antik Kenti Kaya Oygu (Khamosorion) Mezar Örnekleri\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eÖzlem Gül – Cemal Yılmaz - \u003c\/span\u003eEski Çağ’dan Orta Çağ’a Hukuk Metinlerinde Hayvan ve Hayvan Yargılamalarının Temsilleri\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eHüseyin Salikoğlu -\u003c\/span\u003eSeptimius Severus and the Transformation of Byzantion into Byzantium\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eSelda Uygun Yazıcı - \u003c\/span\u003eByzantine-Period Baptisteries On The Southern Coasts Of Anatolia: Evidence from Cilicia, Pamphylia, And Lycia\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eErcan Verim - \u003c\/span\u003eBatı Paphlagonia’dan İki Yeni Bizans Manastırı: Odalaryanı ve Uzunçarşı’nın Kiliseleri ve Yapıları\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eFiliz İnanan - \u003c\/span\u003eZeuksippus Seramikleri Üzerine Tartışmalar, Yeni Değerlendirmeler ve Öneriler Işığında Bursa Arkeoloji Müzesi’nden Örnekler\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eOrçun Erdoğan - \u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif; letter-spacing: -.1pt;\"\u003eNotes on the Byzantine Period of the\u003c\/span\u003e\u003cspan class=\"gmail-apple-converted-space\" style=\"text-align: justify; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif; letter-spacing: -.1pt;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-align: justify; font-size: 7pt; font-family: 'Museo Sans', serif; letter-spacing: -0.1pt;\"\u003eFortified Settlement at Dereköy (Söğütlüdere)\u003c\/span\u003e\u003cspan class=\"gmaildefault\" style=\"text-align: justify; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Tahoma',sans-serif; letter-spacing: -.1pt;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-align: justify; font-size: 7pt; font-family: 'Museo Sans', serif; letter-spacing: -0.1pt;\"\u003ein Lycia\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p1\" style=\"text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eKübra Güçyetmez Kırca – Erdal Eser -\u003c\/span\u003eAmasya Gökmedrese Camisi ve Türbesi: Mimari Kurgu, İşlev ve Tarihlendirme Sorunları Üzerine Bir Değerlendirme\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eKıvanç Ali Anıl - \u003c\/span\u003eEyüp’te Kaybolan Bir Çeşme ve Sebilin Ardında Gizlenen Mimari Hafıza\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eSerap Erdoğan - \u003c\/span\u003eOsmanlı Dönemi İznik Çinilerinin İngiltere Müzelerindeki İz Düşümleri\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eEnder Özbay - \u003c\/span\u003eFransız Mandasından Türkiye Cumhuriyeti Dönemine, Antakya Kırsal Mimari Dokusunda Senkretik Etkiler ve Eklektik Oluşumlar:\u003cspan class=\"gmail-apple-converted-space\" style=\"font-family: 'Museo Sans', serif; font-size: 7pt;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Museo Sans', serif; font-size: 7pt;\"\u003eAdalı Sayfiyesi (Şaban Süner Evi) Örneği\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eRıdvan Gölcük – Fecri Polat - \u003c\/span\u003eArkeolog Hans Henning Von Der Osten’in Türkiye’deki Çalışmaları ve Casusluk Faaliyetleri (1926-1950)\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eİrfan Yiğit - \u003c\/span\u003eİlahiyat-Arkeoloji Bilimlerini Yeniden Düşünmek:\u003cspan class=\"gmail-apple-converted-space\" style=\"font-family: 'Museo Sans', serif; font-size: 7pt; text-align: justify;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Museo Sans', serif; font-size: 7pt; text-align: justify;\"\u003eTeo-Arkeolojik Perspektiften Dinî Mûsikî Araştırmaları Mümkün müdür?\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p1\" style=\"text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eSerap Ekizler Sönmez - \u003c\/span\u003ePergel-Cetvel Konstrüksiyon Geleneği Işığında İslam Sanatında Geometrik Desen Üretimine Dair Birincil Yazmalar\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eDerya Uzun Aydın - \u003c\/span\u003eYahudi Folklorünün veya Mitinin Canlı Heykeli Golem: Moshe İdel’in İzinden Tarihsel Aktarım, Sanatsal İzdüşümler ve Günümüz Yapay Zekâsı ile Doğabilecek Tehlikeli Sınırlar\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eGülcan Başar Cengiz - \u003c\/span\u003eMeksika Resim Sanatında Día De Muertos İmgesi:\u003cspan class=\"gmaildefault\" style=\"text-align: justify; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Tahoma',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-align: justify; font-size: 7pt; font-family: 'Museo Sans', serif;\"\u003eKültür, Ritüel ve Kolektif Bellek\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p1\" style=\"text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eTennur Yaşar – Ali Yaşar - \u003c\/span\u003eLatmos Kaya Resimlerinin Seramik Yüzeylerde Sanatsal Yorumu ve Koruma Farkındalığı\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eHasan Buğrul – Elif Şeyma Buğrul - \u003c\/span\u003eAnadolu’nun Yayıkları Üzerine Etnografik Bir Çalışma\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eE. Erhan Ayberk - \u003c\/span\u003eArketipsel Marka Kişiliği Belirleme Yönteminin Kente Uyarlanması: Arsuz\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli class=\"gmail-p4\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eMuhammet Nimet Çavuş - \u003c\/span\u003eKamusal Alandan Özel Yararlanma ve Kıyı Turizmi: Türk Hukuku Bağlamında Bir İnceleme\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"gmail-p5\" style=\"margin: 0cm 0cm 0.0001pt; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal; min-height: 11px;\"\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e \u003c\/span\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 7.5pt; font-family: 'Helvetica Tr',serif; color: #8c1e40; letter-spacing: -.1pt;\"\u003eHABER - YORUM - YENİ GÖRÜŞ - GÖZLEM - TANITIM\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 7.5pt; font-family: 'Helvetica Tr',serif; color: #8c1e40;\"\u003e\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli class=\"gmail-p5\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-feature-settings: normal; font-stretch: normal; min-height: 11px;\"\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 7.0pt; font-family: 'Museo Sans',serif;\"\u003eBülent Öztürk - \u003c\/span\u003eEdirne \u003cspan class=\"gmail-apple-converted-space\"\u003e  \u003c\/span\u003eMakedon \/ Saat Kulesi Restorasyonundan\u003cspan class=\"gmaildefault\" style=\"text-align: justify; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-size: 7.5pt; font-family: 'Tahoma',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-align: justify; font-size: 7.5pt; font-family: 'Museo Sans', serif;\"\u003eTuğla İthaf Yazıtına İlişkin Güncel Bir Veri: “Ioannes Doukas”\u003cspan class=\"gmail-apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arkeoloji Sanat Yayınları","offers":[{"title":"Default Title","offer_id":43339232936034,"sku":"13004514182","price":1400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/0881\/2386\/files\/Dergi-182.jpg?v=1789551184","url":"https:\/\/www.arkeolojisanat.com\/products\/arkeoloji-ve-sanat-dergisi-sayi-182","provider":"Arkeoloji ve Sanat","version":"1.0","type":"link"}